The Pyntet jewellery collection is born from the raw beauty of beach stones — their weight in your palm, their imperfect shapes, their quiet permanence. Each design is a translation of these natural forms into wearable objects, balancing sculptural character with a sense of intimacy.

We are a small studio based between Prague and Copenhagen, and we believe jewellery shouldn’t be reserved for rare occasions. Quite the opposite — it belongs in everyday life, as a reflection of who you are, a form of self-expression, or simply a gesture of joy shared with someone else.

This first collection, Far Away, is deeply personal. It captures fleeting moments of presence — skipping stones like a child, losing track of time in someone’s company, or holding on to a fragment of memory you instinctively want to keep. Each piece is a reminder of those in-between moments: quiet, honest, unforgettable.

A journey into simplicity with character, detail, and timelessness at its heart. Discover the full Pyntet collection here.

"Tear" is an object that serves as a box for wedding rings and also symbolizes water as one of the pillars of the origin of life. The concept of the paradox of the happiness of birth and the sorrow of death, often expressed through tears, was the main inspiration for this design.

The tear is made from two metals – copper and aluminum, which are lathed into a flawless shape. Thanks to the higher density of copper, the center of gravity of the drop is positioned so that the tear never tips over without disturbing its shape. The bottom part of the tear conceals a pin, symbolizing a drop of water falling onto the surface, and serves as a holder for wedding rings. The design allows both rings to be placed not only inside but also on the tip of the tear for everyday use.

This object is not only symbolic but also functional and aesthetic, serving as a decorative design piece as well as a memorial box that can hold rings in the event of losing a loved one.

The wooden retractable stool is proof that simplicity can be both smart and beautiful. Made from only three materials – oak wood, cast iron, and steel – it requires no screws or glue. Everything holds together thanks to the cast iron coupling, which firmly embraces the wooden legs and secures them with a traditional wooden pin locking system.

I was inspired by traditional wooden furniture-making and my fascination with cast iron. I was involved in the entire process – from creating the mold with a negative for casting, through the casting itself, to the final finishing of the iron piece. Besides working with cast iron, I also crafted the wooden components to ensure that everything came together in perfect harmony. Every detail was carefully considered to make the stool not only highly functional but also aesthetically refined and crafted with integrity. Its versatility allows it to serve as a seat, a side table, or a practical step stool for reaching higher places.

Whether it finds its home in a rustic cabin, a modern loft, or anywhere in between, it will always fit right in. This timeless piece connects the past with the present, bringing not only functionality but also a story – a story of materials, craftsmanship, and thoughtful design.

These scissors are more than just a tool – they are an example of sustainable design that gives new life to materials and transforms an ordinary object into a unique designer piece. Made from leftover plexiglass that would otherwise be discarded, they showcase how upcycling can be both environmentally responsible and visually striking.

Thanks to its properties, plexiglass can be sharpened to create a precise blade capable of cutting office paper, sheets up to 450 g/m², and even delicate ribbons. This gives the scissors not only a new function but also a completely new aesthetic dimension – elevating them from an everyday item to a collectible or decorative object. They are ideal for ceremonial ribbon-cutting, as an elegant accessory for a designer’s desk, or as a functional art piece.

Their design draws inspiration from adhesive tape and ribbons – their transparency, delicate lines, and fluid movement. The included stand doubles as an adhesive tape dispenser, further emphasizing the multifunctionality of the design. This project proves that reimagining materials can lead to solutions that are both sustainable and artistic, pushing the boundaries of what everyday objects can become.

Futuristic prescription glasses were custom-designed for a Czech actor, combining innovative design with practical versatility. Thanks to magnetic clips, the wearer can easily adjust their look to match their mood or occasion without needing multiple pairs of glasses. The basic set also includes tinted clip-ons, allowing for a seamless transformation into sunglasses. A key advantage is that the prescription lenses remain in the base frame, enabling the use of sunglasses without the need for contact lenses.

The glasses are crafted from premium Mazzucchelli acetate, ensuring exceptional quality and comfort. Instead of concealing technical elements, the magnets are intentionally left exposed, highlighting the raw, modern aesthetic. This visible mechanism not only emphasizes the technological aspect of the design but also gives the glasses a distinctive, slightly robust character.

Refined details—rounded edges, grooves, and bevels—further enhance the model’s individuality. For instance, the actor's name is meticulously engraved on the temples, adding a personalized touch. This project proves that prescription glasses can be more than just a functional necessity—they can be a stylish accessory that reflects the wearer's personality and adapts to their ever-changing needs.

The new generation of urban furniture offers an innovative solution to combat rising temperatures and the lack of greenery in cities. It combines a bench, flower pot, and water container into one unit, improving the microclimate and contributing to the ecological revitalization of public spaces.

The main material is porous concrete, which allows rainwater to be absorbed and stored in a container for natural plant irrigation. The concrete structure regulates temperature – it retains heat in winter and cools the surroundings through evaporation in the summer. The 3D printing technology allows for flexible design adaptation to meet various urban needs, with wooden seats that can be added for aesthetic enhancement.

The furniture effectively manages rainwater, which seeps into the concrete and irrigates plant roots. Excess water drains away, preventing freezing in winter. On hot days, the furniture humidifies the air and reduces the surrounding temperature, while in cooler periods, it radiates heat, improving the microclimate.

This flexible element is ideal for urban spaces, improving air quality and offering greenery even in places where traditional parks aren't possible. With its long lifespan and easy maintenance, it is the perfect component of modern urban architecture, contributing to the sustainable development of cities.

Expanding my skill set beyond product design, I ventured into UX/UI design, taking on the complete design of a new point-of-sale (POS) system for retailers. I built everything from scratch—starting with the branding of the service, including the logo and visual guidelines, followed by wireframing, and finally designing each page of the application.

A crucial part of this project was user research—understanding how retailers interact with POS systems, identifying their needs, and optimizing user flows. Choosing the right color scheme was essential to ensure a minimalist, modern, and highly intuitive interface that aligned with the client's vision. Additionally, I designed a comprehensive data visualization system, determining how sales, inventory, and performance statistics would be displayed for maximum clarity and efficiency.

Josef Rous Farm is a Czech local brand with a long history. Rebranding with a focus on a new logo was not only a challenge but also an honor. The sign was designed to depict a hen as a key symbol. The logo is also used as a stamp on free-range eggs. It was essential to consider legislative elements, such as the egg identification number, which I integrated directly into the stamp design.

The intention was to create the logo as a continuous line drawing, ideally in a single stroke. The main clever aspect is that the logo on the egg packaging also serves as the letter "J" in the word vejce.

Beyond product design, I channel my creativity into abstract paintings and sculptures, serving both as a form of self-expression and as a way to enhance my design approach holistically.

My work from the past two years primarily consists of large-scale acrylic paintings, created using a mixed-media technique incorporating laser-cut wooden letters and custom-made polystyrene craters, adding depth and texture to each piece.

Apart from paining, I have experience with photography. For the floral studio Cut Me If You Can, I handled both the photography and the complete setup, including floral arrangements and styling. This project was not just about capturing flowers but about creating a carefully designed visual story.

I focused on crafting unique compositions that elevated the brand’s artistic vision. The final photographs were published in the prestigious MILE wedding magazine, both in print and online, making this a standout editorial project where creative direction and design played a key role.